Shubham Kulkarni
Adapted from the foreign language film The Lovers, Do Aur Do Pyaar brilliantly includes the nuances of its landscape. The movie is tender, real, and highly relatable.
The version of Vidya Balan we have loved over the years fully returns. She doesn't need dialogues to make herself heard. Even a gaze is enough, and she uses it so well.
Pratik Gandhi understands this is not a competition and gives the most balanced performance in recent times. He knows when to take the backseat and when the spotlight is on him.
The music of Do Aur Do Pyaar is well-edged because it brings together some of the most precious musicians of recent times and even includes a Lucky Ali number.
The screenplay dips a bit in the second half, and we are left with some unanswered questions, but what is served is rewarding enough to make us forget what isn't.
Do Aur Do Pyaar adds the genre back to the list of genres that Bollywood is made of. Simple rom-coms where the world is not at stake, neither are the characters giving out any message.