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Sweet Dreams ending explained: The closure Mithila Palkar-Amol Parashar's Dia and Kenny sought throughout the film

Sweet Dreams starring Mithila Palkar and Amol Parashar is now out on OTT.

Sweet Dreams ending explained: The closure Mithila Palkar-Amol Parashar's Dia and Kenny sought throughout the film
Sweet Dreams - Mithila Palkar, Amol Parashar

Last Updated: 06.57 PM, Jan 24, 2025

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Mithila Palkar-Amol Parashar's Sweet Dreams is finally out, and the movie leaves you with a sweet memory. This is despite the entire movie being a bad mix of confusion and illusion. After all the back-and-forth, the makers do manage to give us the closure we have waited for. Here's what that was...

PS: Major spoilers ahead.

Kenny was looking for a comforting girl like Dia, not her

The concept of Dream Girl might be rusted, but Sweet Dreams revives it - to the extent that our lead Kenny, played by Amol Parashar, chases her endlessly. There are moments where he puts her before himself just because she's the one hope in his life at that point. Thus, he chases her, and she does too. But what Kenny actually searching for is a girl like Dia - someone who comforts her when he's at his lowest. He was never looking for Dia.

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Dia was searching for herself

Despite both Kenny and Dia struggling to find a footing in their professional life, they sought each other out and kept doing so, only to finally meet and shatter their current life along with hopes of any future together. Dia left her steady boyfriend Ishant Chhetri (Meiyang Chang) after an awakening - that it is herself that she needs to find. This is in the middle of their wedding plans and shifting to Canada.

A closure for the leads and viewers?

While the very scene plays a crucial role in providing closure for the leads and views, the story in itself is flawed. Imagine giving up on your entire life over a dream girl/guy? Yes, to the extent that it harms your yet-booming professional life. Although the scene provides the much-needed closure, we might have been able to avoid it all if the makers never touched the topic itself.

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