Cannes 2022: Vettuvam is the story of an ordinary daily wage labourer’s rise to a position of power, says Pa Ranjith

Vettuvam is bankrolled by Abhayanand Singh, Piiyush Singh and Ashwini Choudhary of Golden Ratio Films in collaboration with Ranjith and Aditi Anand’s Neelam Studios

Pa Ranjith at the launch of Vettuvam at the Cannes 2022/Twitter

We had told you Pa Ranjith would be launching the first look poster of his upcoming Tamil film, Vettuvam (The Hunted), at the 75th edition of the Cannes Film Festival 2022. The Sarpatta Parambarai director, whose films have given voice to the rising Dalit assertion in Tamil cinema, will begin filming Vettuvam later this year. A source tells OTTplay, "The film will be slated for the release next year."

The writer-director's calendar, which includes his long-awaited Hindi-language Birsa Munda biopic, is full for the next couple of years. “It is not easy,” Ranjith tells the Hindu, “to consistently articulate a specific social consciousness in mainstream cinema."

Vettuvam will tell the story of a notorious gangster, Cholan, a modern-day Robin Hood, who establishes his control over the Ponni region of Tamil Nadu, Ranjith observes. “As he fights to protect his people, he makes many enemies but also legions of supporters who swear by him. When his rivals realise that Cholan is too powerful for them, they harness the power of the state in an attempt to bring him down.”

Ranjith re-emphasises, “The film is the story of an ordinary daily wage labourer’s rise to a position of power!”

“The deeper question that Vettuvam will address hinges on power and on how historically those that wield power perpetuate a sense of inferiority and push people to the margins,” says Ranjith.

Riding on the back of the films of Ranjith and other directors who have been influenced by the anti-caste stance of his stories, Tamil cinema has seen much change in the ten years that the director has been delivering his cinematic punches. He tells The Hindu, “Despite decades of Dravidian politics, caste is deeply rooted in Tamil society. This did not allow neglected stories to find their way through. I want to tell my own stories while using a popular idiom that communicates and provokes all at once.”

Ranjith recalls the time when he put a portrait of Babasaheb Ambedkar in a scene in his first film and people advised him to delete the scene.

“Today,” he points out, “there has been marked change. A lot of filmmakers from oppressed communities want to use the medium to convey their concerns, challenges and aspirations. I do my bit to pave the way for them.”

Vettuvam is bankrolled by Abhayanand Singh, Piiyush Singh and Ashwini Choudhary of Golden Ratio Films in collaboration with Ranjith and Aditi Anand’s Neelam Studios.

As Vettuvam takes shape, Ranjith is in the process of giving the finishing touches to a romantic comedy, Natchathiram Nagargirathu and preparing to film his first collaboration with Vikram next month. The Vikram starrer, Ranjith reveals, is set against the backdrop of early 19th-century mining.

His first Hindi film, a drama about the life and times of tribal icon Birsa Munda, is also in the works. “I will shoot the film next year,” says Ranjith. “In the current scenario, it is important to bring the Birsa Munda story to the big screen and highlight his social and political thought.”

“Birsa Munda wasn’t only a freedom fighter battling the British but also a crusader against exploitation of the tribal population by powerful landlords,” Ranjith adds.

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